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It had fruit trees in the yard and you could smell the lemons in the morning. Based on the Unit Editions book of the same name, the exhibition considers both the heyday of Letraset — with millions of sheets being sold from the beginning of the s until the s — and its present-day revival. Using all the tools on the market, the high-definition render recreates the sultry landscapes of Henri Rousseau paintings in their latest campaign.
Japan-based artist Yuko Mohri is internationally renowned for her kinetic installations. Her interactive installations detect invisible and intangible forces such as magnetism, gravity and light and cause a performative chain of events that raise themes of chance and transience. According to Native American teachings, the Red Road is a positive path that guides its followers away from addiction, vices and violence.
The North looms large in our collective consciousness. Both reductive and somehow not enough, the very phrase connotes and denotes so much that in many ways, the North seems to be less of a place than an idea — a myth, almost. They say time waits for no man or woman.
Today marks the opening of a small but perfectly formed exhibition in Bermondsey: Oslo-based type foundry Good Type offer accessible retail and custom typefaces with an exceptional attention to detail. Established two years ago by Kenneth Knutsen, the type foundry has rapidly expanded. Their typefaces have been used by the design elite like Pentagram, to Reebok and Crack magazine.
Comprised of art directors and graphic designers Amine Ghorab and Scott Renau, Paris-based creative studio Area of Work produces the kind of work which makes you do a double take.
We also like reggaeton. Around this time last year, we wrote about a series of photos, taken over nine years, which showed the same people in the same spot, on the same road in New York City, in scarily similar compositions. With partner Dave Liang, she works from their Brooklyn apartment living room, creating genre-bending, border-traversing and retro-futuristic visuals and music. Far Near is a new book series dedicated to the conversation surrounding multi-national Asian identity.
Curated by Lulu Yao Gioello, the publication expands the dominative ideas around Asia through intimate images and personal accounts of those within the Asian diaspora. Volume one centres around movement, featuring over 30 stories across pages delicately bound together using exposed Swiss binding with a unique hand-stamped slip cover.
As a pack of six vacuum-packed grapes passes along the belt in front of us, a cold voice from a PA system cuts across the incessant drone: We were first introduced to the work — and the insane universe — of Uruguay-born and now Paris-based photographer JP Bonino as part of The Dream Team project back at the end of Shown to us by multidisciplinary and equally mad creative Max Siedentopf, JP made us a series of photographs where subjects had snakes for belts, eyes were kept open with matchsticks and wannabe brides flew through the air with their sights set on the bouquet.
Like a lot of year-olds, Jacco found himself applying for art school. Unlike the bulk of them, he did it without a portfolio. Well-known for his short Landline documenting a helpline set up by a chaplain from Cheshire lending a listening to ear to gay farmers, Matt has recently released a new film, Hands Up, Chin Down.
Equally as insightful as Landline , this time the director focuses his lens on the boxing community centred around the voice of Jerry Mitchell, a respected coach in the amateur boxing field. Their ethos lies in the process of Cartesian doubt [relating to the French philosopher Descartes], meaning to systematically doubt every belief we hold true.
Within graphic design, the method of doubt is integral to the design process. To question what the aim of the work is, what medium best suits the message and so on, are vital aspects of good graphic design.
Exhibiting from Helsinki to New York, the artist delivers bags of fun through her humorous work which always captures a sense of comedy in its characters.
It was an attempt to get designers and creators to begin conceptualising and imagining innovative new ways in which we can start thinking about solutions to the currently toxic attitude many of us have toward drinking water. In an age of increasing uncertainty, instability, and anxiety, thinking about our own mental health — and that of those around us — feels more urgent and necessary than ever.
The field has some frees, and the weather is warm without it being hot.
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